Familia, 2011 installation view (Copy)

Familia, 2011. Installation view Linoprint, silk organza, Dimensions variable. The National Gallery of Macedonia, Chifte Hammam, Memory Room. I installed my recent exhibition in the women’s part of the 15th century Ottoman bath Cifte Amam (meaning: Pair Bath) in Skopje. The biggest hamam in the Balkans from that period is divided into male and female parts. Photograph: Igor Vasilev.

Bodily Fluids, 1999 (Copy)

Bodily Fluids, 1999. Wall installation featuring 167 nursing pads, measuring 190 x 185 cm. CIX gallery, Skopje, Macedonia. This wall installation consists of used nursing pads that I collected while breastfeeding my first baby. The use of a nursing pad, not common in all societies, highlights the differences in cultural approaches to the female body and the various determinants of what is considered 'normal'. Curator: Dr Suzana MIlevska. Photo: Robert Jankuloski

300, 000, installation view, 2000 (Copy)

300, 000, installation view, 2000. 3 old suitcases, earth soil, paper. Dimensions variable. Artists and refugees, 2000, Museum of the City of Skopje. In late March 1999, after the launch of NATO's air campaign against the Federal Republic of Yugoslavia, refugees from Kosovo began to enter Macedonia. Macedonia received 344,500 refugees as a result of the conflict. Words in 3 languages: Albanian, Macedonian and English were printed on the 300,000 pieces of paper.

'300,000', Perceptions Engendered, installation at MoCa, Skopje, 2019 (Copy)

'300,000', Perceptions Engendered, installation at MoCa, Skopje, 2019. old suitcase, text on paper, soil Museum of Contemporary Art, Skopje

300, 000, installation 2000 (detail) (Copy)

300,000, installation 2000. (detail) Text in Macedonian, Albanian and English. Artists and refugees. The Museum of the city of Skopje.

300,000 at Perceptions Engendered, installation at MoCa, Skopje, 2019 (Copy)

300,000 at Perceptions Engendered, installation at MoCa, Skopje, 2019. installation view, old suitcase, paper, soil. Museum of Contemporary Art, Skopje.

Cleansing the soul, 2000 (Copy)

Cleansing the soul, 2000. 3 photographs, text, light box (detail). From the public art project "Shining the Site". Curator: Sonia Abadzieva. Psychiatric Clinic - Skopje, Macedonia. Collection: Museum of Contemporary Art Skopje, Macedonia. This work was specifically created as a site-specific work for a Public Art project at the Psychiatric Clinic Skopje, Macedonia.

The Love-Sick Girl, installation view, 2004 (Copy)

The Love-Sick Girl, installation view, 2004. TV monitor, hospital trolley, 2 linoprints on chiffon. The Aikenhead Gallery, St Vincent's Hospital, Melbourne.

Salt, installation detail, 2018/2019 Open Graphic Studio, The Museum of the City of Skopje.

Salt, installation detail, 2018/2019 Open Graphic Studio, The Museum of the City of Skopje.

Salt, installation detail, 2018/2019. Open Graphic Studio, The Museum of the City of Skopje.

Salt, installation detail, 2018/2019. Open Graphic Studio, The Museum of the City of Skopje.

Bodily Fluids, 1999. Installation view. Pillows, printed text, bed.

Bodily Fluids, 1999. Installation view. Pillows, printed text, bed.

Fotografijata+vo+fokus-2011-%285%29.jpg
Cleansing the soul, 2000 3 photographs, text, light box (detail). From the public art project "Shining the Site". Curator: Sonia Abadzieva. Psychiatric Clinic - Skopje, Macedonia. Collection: Museum of Contemporary Art Skopje, Macedonia. This work w

Cleansing the soul, 2000 3 photographs, text, light box (detail). From the public art project "Shining the Site". Curator: Sonia Abadzieva. Psychiatric Clinic - Skopje, Macedonia. Collection: Museum of Contemporary Art Skopje, Macedonia. This work was specifically created as a site-specific work for a Public Art project at the Psychiatric Clinic Skopje, Macedonia.